Arrows_down
Arrows_up
« Back to Madensky Square

Madensky Square - pp 161

Quote
At the end of September there is always an Operetta Night in the Stadtpark Kursalon. Singers come from the Volksoper; they have electric lights now, strung between the trees, and after supper (which is taken out of doors if the weather is fine) there is dancing to an orchestra which plays on the bandstand from which Strauss himself so often conducted with his fiddle.
  Madensky Square
  161
  161
  No
  Yes
  Yes
  No
  (none)
  (unlabelled)

Near fragment in time

Quote
At the beginning of this century, Vienna was home to a Jewish population of about 200,000 including unusually large concentrations of Turkish, Galician, Balkan, and Hungarian Jews. Synagogues proliferated to accommodate regional groups, graduation of orthodoxy, and craftsmen in special industries who formend their own congregations. The stylistic range in Viennese synagogues encompassed neoclassicsm (Seitenstettengasse), Moorish (Tempelgasse), a free mixture of massive art nouveau with Romanesque and Gothic detail (Pazmanitengasse), and timid modernistic (Hitzing-Eintelbergergasse). Of all these synagogues, numbering about sixty during the mid- 1930s, only one survived the second World War. That was the oldest, the „Tempel“in the Seitenstettengasse in central Vienna. It took a long time for the Jews to increase sufficiently in number and status to commission this building. There had been Jews in Vienna since the late twelfth century; the first synagogue, in St. Stephen´s parish, was mentioned in a document of 1204. Later thirteenth-century documents refer to this or other synagogues, and documents of 1406 and 14220 refer to the burning of synagogues. The document of 1420 describes the synagogue on the Judenplatz as having a men´s prayer hall, a women´s section linked to the men´s by a window, movable seats, and an area where oil was stored. In 1421 came the expulsion or burning of the few Jews who had not died during the program of the previous year.
pp 186 from Synagogues of Europe: Architecture, History, Meaning by Carol Herselle Krinsky

Near fragment in space

Quote
In einer weißen, an den Rändern gesprungenen, unförmigen Tasse bekam sie ihren Frühstückskaffee, später begleitete sie die Kinder der Frau Kausik, einen Buben und ein Mädchen von neun und acht Jahren, die ihr sehr anhänglich waren, zur Schule, und eine Stunde drauf, nach einem Spaziergang durch den Stadtpark, dessen frühsommerliches Blühen ihre Stimmung ein wenig aufheiterte, sprach sie in einem Stellungsbureau vor, wo sie als eine Person, die es nirgends lange aushielt, ohne Freundlichkeit behandelt wurde.
pp 79 from Therese. Chronik eines Frauenlebens by Arthur - Schnitzler