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Der Tod fährt Riesenrad - pp 78
Rund um das Riesenrad drängten sich nach wie vor hunderte Schulustige, obwohl es nicht mehr viel zu sehen gab. Die Wachmänner hatten alle Hände voll zu tun, die Menge vom Tatort fernzuhalten. Es kam nicht nur zu heftigen Wortwechseln zwischen Polizei und Gaffern, sondern auch zu kleineren Rangeleien.
Gustav machte einen Bogen um das abgesperrte Gelände und spazierte hinüber zum "Englischen Reiter", da diese Gaststätte einst Freddys Stammlokal gewesen war.
Es war unerträglich schwül. Als er sich bei einem Limonadenhändler eine Erfrischung kaufte und seine Geldbörse gerade zurück in seine Hosentasche stecken wollte, spürte er eine Hand an seiner Hüfte. Der Wurstelprater war ein Dorado für Taschlzieher. Bltzschnell drehte er sich um und packte die Hand des Diebes. Ließ sie aber augenblicklich wieder los, als er in das lachende Gesicht des berühmtesten österreichischen Jockeys blicke.
Gustav machte einen Bogen um das abgesperrte Gelände und spazierte hinüber zum "Englischen Reiter", da diese Gaststätte einst Freddys Stammlokal gewesen war.
Es war unerträglich schwül. Als er sich bei einem Limonadenhändler eine Erfrischung kaufte und seine Geldbörse gerade zurück in seine Hosentasche stecken wollte, spürte er eine Hand an seiner Hüfte. Der Wurstelprater war ein Dorado für Taschlzieher. Bltzschnell drehte er sich um und packte die Hand des Diebes. Ließ sie aber augenblicklich wieder los, als er in das lachende Gesicht des berühmtesten österreichischen Jockeys blicke.
Near fragment in time
Anna besaß hier keinen Freiraum für sich selbst, kein eigenes Zimmer, keine Rückzugsmöglichkeit. Nur war Gitti nicht immer hier, was Anna zwar schmerzte, jedoch den Platzmangel minderte. Erika wiederum wanderte jetzt täglich zwei Kilometer die Brünnerstraße entlang, stadtauswärts bis nach Jedlersdorf, besuchte dort die dritte Klasse Volksschule, und das weiterhin mit Begeisterung.
pp 279 from Im Schatten der Zeit by
Near fragment in space
We went then to the roundabouts. He chose to ride not on a dappled horse - I had noticed already his dislike of horses -but on a swan. He enjoyed it, but he didn't want to go round again. It was an experience complete in itself.
Then came the Wurschtlmann. He's so famous the Prater is named for him and you can see why. A hideous rubber man with a red nose who, for a few kreutzer one can thump and pound and wallop to one's heart's content, knowing that he will right himself undamaged and come up for more. Give him a name - that of your mean-minded boss, your bullying commanding officer - and you can punch him insensible and walk away, purged.
'Would you like to have a go, Sigismund?'
Even before he shook his head I saw him instinctively shield his hands, hiding them behind his back - and that was the first time I remembered the concert.
In the end, though, the Prater is about the ferris wheel whose fame has spread throughout the Empire. It towers over everything else, its carriages take you a hundred metres into the sky. To be up there and look down on the city is to ride with the gods.
So I asked him: 'What about the giant wheel? Would you like to go on it ?'
His hand tightened in mine. A tremor passed over his face. She had not been frightened even at six years old, but the boy was scared.
'The view is very beautiful from the top. You can see all Vienna.'
He stood still in the middle of the path. He tilted his head and gave a small sniff.
'I want very much to be brave,' he said in his low, cracked voice. 'I very much want it.'
And suddenly it all dissolved - my long antagonism, my restraint, the resentment that I felt at being asked for what belonged only to my daughter. I saw him sitting beside his dead mother in the Polish forest, waiting for her to wake … Saw him wobbling on the Encyclopedia of Art, playing and playing because he could no longer talk. I remembered the silent patience with which he'd endured his uncle's bullying, saw the graze on his forehead of which he'd said no word.
And I knelt beside him and took him in my arms.
'You are brave, Sigi. You're very brave, my darling,' I said - and kissed him.
So now I can tell you this. They are entirely exact descriptions of what happens, those ones in the fairy tales which tell you what occurs when you kiss an ugly frog, a hairy beast, with proper love.Sigi didn't kiss me back or cling to me. He just straightened his shoulders and then in a calm, almost matter-of-fact voice, he said: 'Now we will go up,' - and then led me to the brightly painted carriages swaying high above our heads.
pp 177-178 from Madensky Square by
Then came the Wurschtlmann. He's so famous the Prater is named for him and you can see why. A hideous rubber man with a red nose who, for a few kreutzer one can thump and pound and wallop to one's heart's content, knowing that he will right himself undamaged and come up for more. Give him a name - that of your mean-minded boss, your bullying commanding officer - and you can punch him insensible and walk away, purged.
'Would you like to have a go, Sigismund?'
Even before he shook his head I saw him instinctively shield his hands, hiding them behind his back - and that was the first time I remembered the concert.
In the end, though, the Prater is about the ferris wheel whose fame has spread throughout the Empire. It towers over everything else, its carriages take you a hundred metres into the sky. To be up there and look down on the city is to ride with the gods.
So I asked him: 'What about the giant wheel? Would you like to go on it ?'
His hand tightened in mine. A tremor passed over his face. She had not been frightened even at six years old, but the boy was scared.
'The view is very beautiful from the top. You can see all Vienna.'
He stood still in the middle of the path. He tilted his head and gave a small sniff.
'I want very much to be brave,' he said in his low, cracked voice. 'I very much want it.'
And suddenly it all dissolved - my long antagonism, my restraint, the resentment that I felt at being asked for what belonged only to my daughter. I saw him sitting beside his dead mother in the Polish forest, waiting for her to wake … Saw him wobbling on the Encyclopedia of Art, playing and playing because he could no longer talk. I remembered the silent patience with which he'd endured his uncle's bullying, saw the graze on his forehead of which he'd said no word.
And I knelt beside him and took him in my arms.
'You are brave, Sigi. You're very brave, my darling,' I said - and kissed him.
So now I can tell you this. They are entirely exact descriptions of what happens, those ones in the fairy tales which tell you what occurs when you kiss an ugly frog, a hairy beast, with proper love.Sigi didn't kiss me back or cling to me. He just straightened his shoulders and then in a calm, almost matter-of-fact voice, he said: 'Now we will go up,' - and then led me to the brightly painted carriages swaying high above our heads.