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Die große Hitze, oder die Errettung Österreichs durch den Legationsrat Dr. Tuzzi - pp 187
Unterwegs aber fiel ihm Trotta ein, und also hieß er den Chauffeur einen Umweg in die Burggasse machen. Das Haustor war noch offen, aber es brannte in keinem Fenster Licht. Tutti läutete eine Weile an Trottas Tür, doch meldete sich niemand. Das Taxi setzte seine Fahrt zu Tuzzis Adresse fort, aber als es vor seinem Haus hielt, überlegte sich's der Legationsrat noch einmal und fuhr weiter in die Bräunerstraße. Aber auch Ulrike war nicht zu Hause.
Near fragment in time
Ihr Deutsch ist rau und kehlig, es erinnert an den „Jargon“ der Leopoldstadt, des alten jüdischen Viertels von Wien, in dem nach dem Zusammenbruch der Monarchie tausende von Flüchtlingen aus dem Osten Unterkunft fanden.
pp 123 from Rückkehr nach Wien by
Near fragment in space
That he was playing at the Redoutensaal shows how important he has become since his debut. It's the most beautiful of our concert halls, in a wing of the Hofburg itself, and perhaps the best loved by the Viennese.
I thought there would not be a seat; I've never trusted Van der Velde to keep his word, but when I gave my name I was handed a ticket straight away.
The hall was full. Many in the audience were the usual fashionable, gushing women in Chez Jaquetta's clothes, but not all. I found myself next to an old man with a full beard like Brahms', and remembered that I'd had him pointed out to me as Hans Klepstedt, the Director of the Liszt Academy of Music.
pp 228 from Madensky Square by
I thought there would not be a seat; I've never trusted Van der Velde to keep his word, but when I gave my name I was handed a ticket straight away.
The hall was full. Many in the audience were the usual fashionable, gushing women in Chez Jaquetta's clothes, but not all. I found myself next to an old man with a full beard like Brahms', and remembered that I'd had him pointed out to me as Hans Klepstedt, the Director of the Liszt Academy of Music.